Absolutely, Alchemy
written by Hermione Potter
Brilliantly written, German Alchemist Marin Bratsch delves into the basic essential knowledge of alchemy, its history, and its famous works. Brief, concise instructions are emblazoned within every spell and every potion. Many references founded by the famous alchemists of our time are featured in the text with special chapters dedicated to Nicholas Flamel, Albus Dumbledore, and Harry Potter, the boy who lived.
Last Updated
05/31/21
Chapters
20
Reads
3,425
Dormir
Chapter 13
Dormir
This chapter will closely reflect the charm, Dormir, which is derived from the Latin worn, Dormio, meaning "to sleep, slumber, siesta, nap." Created during the peak of the Renaissance, the spell is most famous for its use by Anotonin Malveux, a French Alchemist who had used this spell to further his alchemical research by casting the spell on the French Royal Family to grant pardons to his crimes and to provide funding for his work. The spell itself is intricately difficult, and can be fought against by the victim if their will is powerful enough to overcome it, or, if their moral conscience is at odds with what the caster is attempting to accomplish. Dor-meed is the proper pronunciation for the spell.
The spell in questions emits a thin wisp of smoke to gyrate the victim and allows them to fall into an unconscious state of mind, which can render the victim to become susceptible to manipulation. If the spell is cast too heavily, however, the victim may fall forward and be knocked unconscious completely and will not be susceptible to any forms of guile there after. When cast correctly, however, the victim will remain on their feet in a hypnotized, comatose state of mind. The victim can then be controlled into doing any number of small, mundane tasks. But as previously mentioned, any trivial, or difficult, or immoral (in the victims point of view) will cause the victim to snap back to reality and be immune to having the spell cast upon them so soon.
With the wand at the ready, retract ones elbow backwards (up into the air) with the wand high in the air yet still towards the targeted wizard, and with a slow sweeping loop, circle the wand in the air concluded with a thrust in the targets direction. The targets time spent unconscious is dependent upon the strength and determination of the caster, however, if the victim is snapped out of the spell on their own accord they will not be susceptible to the spell again for a short period amount of time unless they are caught completely by surprise, or, asleep. (The spell, however, cannot coerce the targeted witch or wizard to talk, they may only move and act while under the spells effects.)
This chapter will closely reflect the charm, Dormir, which is derived from the Latin worn, Dormio, meaning "to sleep, slumber, siesta, nap." Created during the peak of the Renaissance, the spell is most famous for its use by Anotonin Malveux, a French Alchemist who had used this spell to further his alchemical research by casting the spell on the French Royal Family to grant pardons to his crimes and to provide funding for his work. The spell itself is intricately difficult, and can be fought against by the victim if their will is powerful enough to overcome it, or, if their moral conscience is at odds with what the caster is attempting to accomplish. Dor-meed is the proper pronunciation for the spell.
The spell in questions emits a thin wisp of smoke to gyrate the victim and allows them to fall into an unconscious state of mind, which can render the victim to become susceptible to manipulation. If the spell is cast too heavily, however, the victim may fall forward and be knocked unconscious completely and will not be susceptible to any forms of guile there after. When cast correctly, however, the victim will remain on their feet in a hypnotized, comatose state of mind. The victim can then be controlled into doing any number of small, mundane tasks. But as previously mentioned, any trivial, or difficult, or immoral (in the victims point of view) will cause the victim to snap back to reality and be immune to having the spell cast upon them so soon.
With the wand at the ready, retract ones elbow backwards (up into the air) with the wand high in the air yet still towards the targeted wizard, and with a slow sweeping loop, circle the wand in the air concluded with a thrust in the targets direction. The targets time spent unconscious is dependent upon the strength and determination of the caster, however, if the victim is snapped out of the spell on their own accord they will not be susceptible to the spell again for a short period amount of time unless they are caught completely by surprise, or, asleep. (The spell, however, cannot coerce the targeted witch or wizard to talk, they may only move and act while under the spells effects.)
